“Creator” Great Name of Netjer of Mennefer (G/R Memphis), the capital of the dual Kemetic state for most of its history, Ptah is depicted as a mummified man wearing a skullcap and bearing the symbols of life, power and stability (ankh, was, djed) in his unfettered arms, standing on the plinth which is part of Ma’at’s hieroglyphic name and was used as a straightedge by stonemasons and architects. Ptah is sometimes seen as an abstract form of the Self-Created One, Who effected creation through the actions of His heart (identified with Her-wer) and His tongue (identified with Djehuty), and Who “set all the Netjeru in their places and gave all things the breath of life.” As a creator (and more directly involved with the physical act of creating than either Ra or Tem), Ptah is intimately connected with the plastic arts and especially with architecture and stonemasonry, and is patron of sculptors, painters, builders and carpenters, as well as anyone who creates with his or her hands. The transit which was the stock tool of masons, and the title of Ptah’s High Priest, “Master Builder,” would centuries later be picked up by a pseudo-Egyptian Western fraternal organization known to the world simply as Masonry.
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